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William Wordsworth Short Biography | Facts, Daffodils, & Poems

William Wordsworth (born 7 April 1770 in Cockermouth, Cumberland, England; died 23 April 1850 in Rydalmont, Westmoreland) is an English romantic lyrical ballad (1798) written by English poet Samuel Taylor and The Cooler Movement.

Early life and education

Wordsworth was born in the Northern UK region, one of the five children of the ambiguous Owner Manager. When he was seven years old, he lost his mother and when he became 13 years old, they were sent to the town of Hajdu’s Gymnasium in the village of the center of high school. In the meantime, Word Worth received higher education in classical, literature, and mathematics, but it was to survive and play outside his childhood. Wordsworth will be testified in the series later, “English can be supplied with the natural geek in the lake in English.

Wordsworth moved to St. Louis in 1787. Louis. John’s College, Cambridge. Rejected by the competitive pressure there, he decided to graduate from university and convinced himself that “he was not in that class or place.” The most important thing he did during his college years was to spend the summer holidays of 1790 on a long walk through revolutionary France. There he was seized by the relentless enthusiasm that followed the fall of the Bastille and became a staunch Republican sympathizer. 

By obtaining the Cambridge title – an anonymous “card” – he returned to France in 1791, where he established a warm friendship with the Frenchwoman Annette Vallon. But before their children were born in December 1792, Wordsworth had to return to England and was cut off by the outbreak of war between England and France. She will not see her daughter Caroline until she is nine years old.

Three or four years after his return to England, there was darkness in Wordsworth’s life. Unprepared for any profession, without roots, almost no money, bitter against his country’s resistance to the French, he lived in London with radicals like William Godwin and learned to sympathize deeply with abandoned mothers, beggars, children, the homeless. and the victims of the wars in England, which began with the sad poems he was just beginning to write. 

This dark period ended in 1795 when a friend’s legacy allowed Wordsworth to meet his beloved sister Dorothy again – they were both no longer divorced – and in 1797 they moved to Alfoxden House near Bristol.

Great Decade: 1797-1808

While living with Dorothy at Alfoxden House, Wordsworth befriended the poet Samuel Taylor Coleridge. They created a common relationship that would change the lives of both poets and change the direction of English poetry.

Coleridge and Lyrical Ballads

The collaboration between Wordsworth and Coleridge, rooted in a remarkable year (1797-98) in which they “mixed wild poetry in vain,” had two consequences for Wordsworth. First, he distances himself from the long poems he has worked on since his time in Cambridge. 

These include social protest poems such as Salisbury Plain, loco-descriptive poems such as The Evening Walk and Descriptive Sketches (published in 1793), and The Borderers, a tragedy with empty verses that examines the psychology of guilt (and was not published until 1842). 

Inspired by Coleridge and under the healing influences of nature and his sister, Wordsworth began composing short lyrical and dramatic poems in 1797-98, for which many readers remember him best. 

Some are a tribute to Dorothy, others are narcissists, birds, and other elements of the “divine plan of nature,” and some are images of ordinary rural people to cover basic facts about human nature.

Many of these short poems were written in a bold, original program developed jointly by Wordsworth and Coleridge to break the ethics of neoclassical verses. These poems appeared in 1798 in an elegant, anonymously written volume called Lyric Ballads, which begins with Coleridge’s long poem “The Rime of the Ancient Mariner” and ends with Wordsworth’s “Tintern Abbey”. 

All this on three mediating poems by Wordsworth, and as he said in the introduction to the second edition two years ago, their goal is to “select events and situations from everyday life and tell or describe them in the chosen language. people use, they trace in them the basic laws of our nature.

Most poems are designed so that their dramatic form expresses the speaker’s personality. Manifesto and accompanying poems have a new style, a new vocabulary, and new poetic names, all reflecting developments in the 20th century.

The Recluse and The Prelude

The second consequence of Wordsworth’s connection with Coleridge was the elaboration of a more ambitious poetic conspiracy that ridiculed and disturbed him for the rest of his life. Coleridge planned a very large poem called “The Brook,” in which he suggested paying attention to all of science, philosophy, and religion, but soon placed the burden of writing the poem directly in Wordsworth. As early as 1798, Wordsworth began discussing the most important concepts in this poem, The Recluse. To motivate himself and test his strength in this business, Wordsworth began writing autobiographical poetry, which took him 40 consecutive years, and which was finally published in 1850 under the title Overture. or The growth of the poet’s spirit.

Prelude extends the silent autobiographical way of reminiscing that Wordsworth began in Tintern Abbey and traces the life of the poet from his school years to university life and his visits to France until the year (1799), in which Grasmere won. So it describes a round trip – a long way home so-called But the most important events of the autobiography are inside: the poem happily describes how the image emerged as a dominant ability, controlling the mind and the world of emotions.

The Recluse itself was never completed, and only one of its three planned parts was written; it was published in 1814 as an Excursion and consisted of nine long philosophical monologues narrated by pastoral figures.

The first monologue (Book I) contains a version of one of Wordsworth’s most famous poems, The Ruined Cottage, composed of remarkable white verses from 1797. This dark story describes the slow, pathetic decline of a woman whose husband has gone to the army. and never returns. For later versions of this poem, Wordsworth adds a pleasant conclusion, but the first and strongest version is deeply sad.

A turn to the elegiac

With Dorothy, Wordsworth spent the winter of 1798-1799 in Germany, where he experienced the worst isolation he could have in the farthest town of Goslar in Saxony. As a result, however, he wrote some of his most touching verses, including the elegy “Lucy” and “Matthew” and early designs for Overture. 

Upon his return to England, Wordsworth included many new poems in the second edition of Lyrical Ballads (1800), most notably the two terrible pastoral lives of the country, “The Brothers” and “Michael.

” During this time Wordsworth also wrote beautiful texts collected in his second volume of verses, Poems, in two parts (1807), including the continuing popular”. I Wandered Alone Like a Cloud “(also called” Daffodils “). 

All of these poems cover what is now considered his great decade, from his encounter with Coleridge in 1797 until 1808.

Part of the second part of La Recluse ended in 1806 but, like the overture, remained handwritten after the poet’s death. This section, Home and Grasmere, happily celebrates Wordsworth’s ownership (December 1799) of Dove Cottage in Grasmere, Westmorland, where he will spend eight of his most productive years. 

In 1802, during a short-term treaty from Amiens, Wordsworth returned briefly to France, where he met Celia’s daughter and made peace with Annette. He returned to England to marry Mary Hutchinson, a childhood friend and founded an English family that grew to three sons and two daughters in 1810.

In 1805, the drowning of Wordsworth’s favorite brother, John, the captain of the ship, caused Wordsworth the strongest shock he had ever experienced. “Deep sadness has made my soul human,” he lamented in his “Elegiac Verse” at Peele Castle. Since then, he has created a different kind of poetry, defined by a new kindness, a new threat, and a long, almost Miltonian rise in tone and diction. 

Wordsworth seems to be looking forward to this turn in “Tintern Abbey,” where he learned to listen to “the peaceful, sad music of the people,” and also to “Odu: Intimations of Immortality” (written in 1802-04; published in Poems). , in the second part). 

The theme of this ode is the loss of his ability to see the things he saw before, the light, the “heavenly light,” which appears on the scene of his youth as the “glory and novelty of a dream.” The sea or the earth.

These metaphors point to differences between early and late Wordsworth. It is generally accepted that as he moved away from sources of inspiration and as Anglican and Orthodox sentiments grew out of conservatism, the quality of his poetry deteriorated. 

Many readers today distinguish that Wordsworth, the young Conservative revolutionary, and the old romantic humanist John Keats, are referred to as “fundamental selfish.” Some of Wordsworth’s later verses correspond to the best verses of his time.

In middle age, Wordsworth has invested a major creative energy activity in the smell. As many gnocchi have been established, most of them come together in sequence. Most of the progress of Sonnets Duddon (1820) are more respected in the Lakes landscape, this time mixes philosophical ideas and philosophical ideas and natural poems recognized as the best Wordsworth. 

The Sonnet sequence records another tour through the European continent and represents the church regime of three churches (1822) compared to the date of the church. However, most medium-ray engines and late parasites have often been launched in the REGIAC mode.

From the poet’s sincere mourning for his two sons who died in 1812 (included in the voyage) to the remarkable lyrical testimonies of fellow poets James Hogg, George Crabbe, Coleridge, and Charles Lamb.

Late work of William Wordsworth

In 1808, Wordsworth and his family moved from Dow Cottage to the greater Glasmer district and five years later settled on Mount Rydal near Ambleside, where Wordsworth spent the rest of his life. In 1813 he took up the post of stamp dealer in Westmorland. 

And it was an appointment that paid him 400,400 a year. Wordsworth also blocked the publication of Prelude, the House of Grasmere, the Borders, and the Salisbury Plains. He published the poem in two volumes in 1807. Excursion of 1814. Only the completed part of the recluse is displayed. And the 1815 poetry collection contains most of his short poems and two important essays.

Other Wordsworth works published in the Middle Ages include The White Doe of Rylstone (1815), a poem about the tragic collapse of the Roman Catholic family during the failed uprising against Elizabeth I in 1569; in the Ode of Thanksgiving (1816); and Peter Bell (1819), a poem written in 1798 and then modulated by gradual rewriting into an experiment of romantic irony and feigned heroism, and tinged with the poet’s feelings of the intimacy of his hero, the “wild and forest robber.” 

The Wagoner (1819) is another extensive ballad about a traveler in the north. All those years Wordsworth was attacked by furious and ruthless critical attacks by despicable critics; no great poet has suffered more. But eventually, with The River Duddon being published in 1820, a wave began to emerge, and by mid-1830, its reputation among critics and the public was gaining ground.

Wordsworth’s last years have been part of the “digging” of his poems, as the family called his compulsive and persistent habit of editing their earlier poems after publication after publication. 

For example, Overture went through four different versions of the manuscript (1798-99, 1805-06, 1818-20, and 1832-39) and was not published until after the poet died in 1850.

Most readers found early versions of Overture. and other heavily updated poems the best, but flashes of light can be seen in the changes that took place when the poet was in his seventies.

In 1843, Igiris’s poetry was published in 1850. Victorian Critic Matthew Arnold is famous for his masterpiece and friend. His reputation in the 20th century has been enhanced by acknowledging his interest in romantic exercise and the interest in the dark elements of his personality.


William Wordsworth was a central person in the English romantic revolution. His contribution was 3. First of all, it is a new position for nature in your poetry or article. These were some of the natural image issues in your poetry: New approach to organic relationships in the world of nature, abroad, overseas, overseas and warm weddings, I prepared “dump” in nature.

Introduction, it was a long-spontaneous poem. Wordsworth is a road from self-exploration, and for its modern psychological understanding of its nature, and this, we represented the most widely used human nature. Third, Vardsworth keeps poetry in the center of the human experience.

In poetry, it is less than the first and last things of all knowledge, and to take part in the biggest English poem of your century. It is probably convinced that calories and Arnold were standing for the first time at the end of the 20th century.

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